
first pioneered in the 1960s, cryonics involves the rapid cooling and storage of the human body or brain after death, offering a tantalising shot at immortality. despite the obvious allure of being awoken in some futuristic tomorrowland, only a couple of hundred people have as yet undergone the procedure, which starts with the injection of anti-freeze chemicals as close to possible after death
nevertheless, as the release for artist Naheed Raza’s new piece Frozen in Time explains, “cryonics has quietly sustained itself over the last few decades, bolstered by a growing acknowledgement within the medical fraternity that the point of actual brain death or bodily shutdown is not quite as clear-cut as once was first thought. Featuring interviews with leading figures in the field (and members of the public who have requested that their bodies are preserved for posterity), Raza’s video is punctuated with atmospheric footage shot at various cryonics institutes in the USA. Evocative, compelling and strangely affecting, the piece foregrounds the medical and philosophical uncertainties surrounding the extension of life and our definitions of death”



Frozen in Time screens as part of TOMORROW NEVER KNOWS, a Jerwood Visual Arts/Film and Video Umbrella project. 16 January – 24 February 2013 at Jerwood Space, London and 8 June – 20 July 2013 at CCA, Glasgow
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top images: still from Frozen in Time
middle image: Patient Number 66, Courtesy of the Cryonics Institute of Michigan

















































